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Colorado
Sandplay Therapy Association
CSTA
Home Development of Sandplay Therapy Sandplay Influences Symbols and Archetypes Sandplay Therapy Sandplay Therapists Professional Organizations Suggested Reading Join CSTA
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How
Sandplay Works
Sandplay
therapy uses the symbolism of three-dimensional figures in a hands-on,
non-verbal process. The sand itself, water and the therapist’s
collection of miniatures provide natural and cultural symbols. Adult and
child clients working with sandplay therapists may or may not create a
sand scene in every session, but sometimes work with talking therapy,
play objects, art, or other techniques. But the trays of wet and dry
sand and the powerfully symbolic miniatures remain available,
stimulating whatever form of therapy occurs. Clients may complete a few,
or as many as 50, sandplay scenes to fulfill their process of allowing
the unconscious to communicate its meaning. The process can help heal
psychic wounds that have divided the individual from the deep source of
their being by allowing the psyche to express itself through their heart
and hands.
Sandplay therapists do not interpret sandplay images during the sandplay
therapy session but observe them with the adult or child client and
listen and respond to their comments. Throughout the work, the therapist
facilitates the process by holding
the sacred space, or temenos.
This is the “free and protected place” that Dora Kalff said was
critical for the client to connect with and express the deep psyche.
Each sandplay scene is left intact until the client leaves, at which
time the therapist photographs the tray and makes sketches and notes.
Clients as well as the therapist tend to know when a process is
complete, but, in order to allow the work to integrate fully in the
psyche without critical analysis, photographs are not released nor is
the process interpreted with the client until several years later.
Sandplay therapy can establish an inner peace which contains the
potential for development of the total personality, including its
intellectual and spiritual aspects…It is the role of the therapist to
perceive these powers and, like the guardian of a precious treasure,
protect them in their development (Kalff, 1980, p. 30).
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Sensory
Therapy and Attachment: Before Sandplay
When a
therapist sees that a child or adult is unable or unwilling to engage in
sandplay, she is alerted to attachment and/or sensory development
problems that may stem from trauma before, during, or after birth. The
child who cannot play with full abandonment is not adequately embodied,
and needs the opportunity and the safety to come more fully into the
world through his or her senses. Agnes Bayley, an Irish sandplay
therapist, has developed an attachment and sensory integration therapy
called "In Touch Again," which helps a child develop a sense
of his or her own reality and engage in imaginary play. In Touch Again
therapy follows the individual's instinctual needs to engage the world
on a sensory level.
Through
seeing, touching, tasting, smelling, hearing, movement, and memory, a
child empirically enters a more complete sense of self-identity. This
post-birth birth occurs in the same way an infant enters the world
through the senses; as the baby tastes, is touched, spoken to, presented
with faces, he or she emerges into the world of the senses as a separate
being, securely attached to the caregiver and to his or her inner and
outer realities. Similarly, through their senses, sandplay clients
develop a sense of safe attachment to the therapist (as archetype of
mother), and thus to inner and outer life. Some individuals first begin
to express themselves while smelling an orange or pounding a nail.
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How
Sandplay Therapy is Different from Sandtray Therapy
Sandplay therapy is specifically Jungian and differs from sandtray therapy. Sandtray
therapy is a more generic form of play therapy employing a variety of
methods and theories, depending on the preferences of the individual
therapist.
| SANDPLAY
THERAPY |
SANDTRAY
THERAPY |
| Developed
by Dora M. Kalff
- A process in the journey toward individuation |
Can
be based on Erickson's Dramatic
Productions Test, Buhler’s World Test; Bolgar & Fisher’s
Little World Test, and others
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| TOOLS |
-wood
tray (19.5” x 28.5”), blue interior, with beach or other
sand, water
-miniatures |
-
trays of different sizes, shapes with or without sand or colored
sand, rice, beans
- miniatures, some standardized for diagnostic purposes
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INTENTION,
ROLE OF THERAPIST |
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-process
oriented
-holds the space for creation of sandplay scene in
a protected and safe manner.
-non-directive
-non-interpretive
-sandplay scene documented by sketch photo, notes and dismantled
after client leaves |
-intervention
and not process oriented
-directive
-interprets
-sandplay scene may be documented
-dismantled during the session |
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THEORETICAL
BASE |
| -Jungian
psychology, Lowenfeld’s World Technique, Buddhist wisdom,
knowledge of symbolism and the
personal and collective unconscious |
-diverse,
including cognitive and
behavioral psychology
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